Atlantic Theatre Arts
ATLÅNTIC THEÅTRE ARTS
Paris Performing Arts Association in English
We're glad you found us! Our community awaits you.
We're thrilled to unveil our fourth season — our biggest and most varied yet, spanning mainstage productions, community sing-alongs, a festival celebrating women's voices, and expanded training opportunities for performers of every level.
Find out more about our performances, training, and community events.
Our opening Broadway Sing Along for the 2026-2027 Season!
Join us as we sing through Lin Manuel Miranda's generational hit - Hamilton!
This sing-along will be performed with the tracks released by Lin-Manuel Miranda so you can get practicing already!
Tickets will go on sale on Monday, August 31 at 20h for members and on Tuesday September 1 at 20h for non-members.
Be sure to log on on time - solos tend to go quickly!
Macbeth
by William Shakespeare
21 September - 16 November
Every Monday night, 19h
La Scene Parisienne
34 Rue Richer, Paris 75009
A war hero is welcomed home with friendship, love, and accolades. Along with this taste of glory comes a meeting with temptation. The company he keeps is both the making and undoing of Macbeth. Atlantic Theatre Arts strips down Shakespeare’s fierce tragedy to four actors. Three witches and the man they offer the world to. A true warning of the evil we all might be capable of, if we choose it. In English with French subtititles.
Upcoming Trainings
October 10 Shakespeare
Shakespeare can feel like a whole different language even if English is your first one — but that’s kind of the fun part. Whether you’re a total beginner or a veteran of verse, come embody language, learn some new vocabulary and get say things like “Villain, I have done thy mother.”
October 22 The Complete Performer: Introduction
An introduction to the framework at the heart of ATA's pedagogy: Voice, Body, Intellect, and Emotion. This workshop offers participants a visceral encounter with what it means to be a fully integrated performer.
November 7 Song Interpretation
If you like to tell stories through song, this workshop is for you. This one day intensive will focus on text, connection, and storytelling with musicality.
Comparative Texts: The Crucible/John Proctor is the Villain
This laboratory explores the enduring relevance of Arthur Miller's The Crucible through a contemporary lens, pairing it with Kimberly Belflower's John Proctor Is the Villain. Together, these works create a dialogue between past and present, examining themes of power, morality, and the shifting interpretation of historical narratives.
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